15th Century Writing Slope - collaborative (2013)
Hi All,
I submitted this into the St Florian De La Riviere Baronial Arts and Sciences competition held September 2013. A very fast doco, but served the purpose.
This seems to also align with the more common and widespread use of calligraphy and illumination during the later middle ages. Prior this, my research suggests most slopes were fixed surfaces mostly used by monks (Panfilov, 2002).
Edmund chose to put the holes in
the side based on a portrait we found where the holes were used for hanging the
scroll case and ink (see Figure 2).
1.
Design sizing and
shape of writing slope and select timber based on strength, look and purpose.
(we used pine due to availability and price)
5. Drill and
jigsaw all the holes and decorative lines in the sides and back, then route
them according to sample selected earlier. (pic 3)
I submitted this into the St Florian De La Riviere Baronial Arts and Sciences competition held September 2013. A very fast doco, but served the purpose.
15th Century Writing Slope
Collaborative effort of Earl Sir
Edmund of Shotley and Lady Iglesia Delamere
Multiple
portraits inspired this project including all those shown in this article. Our aim was not to construct a writing slope using
period techniques, but to construct a writing slope that had the appearance of
the writing slopes of the period and could have been used in period. It was also important for it too look
presentable, as it was going to mostly be a show piece (for demo’s etc). Finished look was more important than period
techniques in construction.
Brief Research and Design Choices
From looking at the portraits and research of others I tend to agree that writing slopes in the form we have built probably did not exist until later in the middle ages (see Figure 1 from 1480, where a portable writing slope is in use).

Various
portraits showed representations of the writing slope. There were many designs (see all figures), so
there was a lot of latitude for design choices.
Edmund decided early on that the project was likely to be borrowed for
events where we were doing SCA demos and so his design encapsulated that. He also wanted to show pride in his Barony,
so the back piece represents the buttony cross (of St Florian De La Riviere).

Power tools
and screws were used in the making of our writing slope – this was because
strength, speed and a period look were of priority, rather than period
construction techniques (for instance over screws putty was placed and painted
to appear as hobnails).
Basic Construction Technique

3.
Sample for
sizing, routing depth etc on scrap to confirm final aesthetic (pic 1)
4.
Connect slope
faces together with connecting middle piece to secure (wood the correct
dimension was not readily available) (pic 2)

7.
Sand heavily for
a smooth surface
8.
Cut and attach
with nails the rail to be used to rest book/parchment on. (pic 4)
9.
Cover Screws with
putty and colour with sharpie for hobnail appearance (pic 4)
10. Multiple coats of Danish oil until desired effect is
achieved (pic 5). Your writing slope is
complete
Bibliography
- Panfilov, Marko Evanovich. 2002, A Scribe’s Writing Slope, Barony of Dragonsspine, Kingdom of the Outlands.
Portrait References
- Figure 1 Domenico Ghirlandaio : Saint Jerome in his Study (1480 — Church of Ognissanti, Florence) Source:http://www.artunframed.com
- Figure 2 Scribes tools: detail from Hl. 1490, Ambrosius: Kunstwerk: Temperamalerei-Holz ; Einrichtung sakral ; Flügelaltar ; Oberösterreich Dokumentation: 1490 ; 1500 ; Kremsmünster ; Österreich ; Oberösterreich ; Stiftsgalerie Anmerkungen: 80x47
- Figure 3 Unknown miniaturist, Brussels Royal Library. 2nd half 15th Century, Jean Miélot at his Desk.
Photo’s
- Taken by Earl Edmund of Shotley and Lady Iglesia Delamere during construction (2013)
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